CONVERGENCE OF FINE AND MUSICAL ART AS A COMPONENT OF CURRENT ARTISTIC PRACTICES (SPECIFICITIES OF DISCOURSE IN THE EU AND UKRAINE)

Autores/as

DOI:

https://doi.org/10.18623/rvd.v23.n3.4674

Palabras clave:

Synesthesia, Synergy, Painting Music, Interdisciplinarity, Artistic Expression, Collaboration

Resumen

The article attempts to comprehend contemporary trends in the development and practical embodiment of interdisciplinary and convergence paradigm in fine arts and music. Based on a philosophical perspective and the elements of content analysis, a concept and nature of synergetic arts phenomenon is investigated, in particular, the notion of synesthesia inherent in it. The research shows that aesthetic values and experiences are contextual to activities and can be transformed into other values. The historical evolution of 'painting music' is followed from the nineteenth century to the present. It is also demonstrated that teamwork is essential in the world of artistic expression, bringing together varied abilities and disciplines to create compelling works that appeal with audiences. Collaboration is especially important in the performing arts since it promotes synergy among musicians, actors, dancers, and other performers. Performers combine their talents to bring stories to life on stage, enthralling audiences with compelling performances. Some practical examples of artists’ and galleries’ activities in this vein are considered.

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Publicado

2026-02-02

Cómo citar

Prokopovych, T., Kosynets, I., Okhmaniuk, V., Tarasiuk, I., & Kryvytska, T. (2026). CONVERGENCE OF FINE AND MUSICAL ART AS A COMPONENT OF CURRENT ARTISTIC PRACTICES (SPECIFICITIES OF DISCOURSE IN THE EU AND UKRAINE). Veredas Do Direito, 23, e234674. https://doi.org/10.18623/rvd.v23.n3.4674